From Mozart To The Second School Of Vienna. Essays - Freemasons

From Mozart To The Second School Of Vienna. At Dimitris Mitropoulos hall on the 3rd of February took place a part of the sere ?From Mozart to the second school of Vienna'. Wolfang Amadeus Mozart's piano, violin, viola and violoncello quartet num.2 in E-major, K.493 and Arnold Schoenberg's ?Ode to Napoleon Buonaparte, Op. 41' for string, piano and voice quartet and after the break, Wolfang Amadeus Mozart's piano, oboe, clarinet, horn and bassoon quintet in E-major, K-452. The quartets and the quintet were played as written above. Firstly, K.493 which wasAccording to Mozart's own catalogue, the second quartet in E-flat major was completed on June 3, 1786, less than nine months after the letter to Hoffmeister about the advance. This time, Mozart had the piece printed by the rival publisher Artaria and that edition is the earliest version we possess. With the exception of a few drafts from the Finale, which are in the British Museum, no autograph score remains. Even if one feels the work to be a relief after its uncompromising counterpart in G minor, the later quartet cannot really be seen as an easier alternative. It is too elaborate for that. This time Mozart sets the piano against the string trio more, but this is not done purely for convenience. The strong polarity of tonic and subdominant in the first two movements creates a somber undercurrent which is emphasized by the instrumentation. The second theme of the first movement (a softer version of the pent-up energy of the beginning, introduced by the violin) is preceded by a contracted motif of two descending sixths which then persists throughout the whole movement as a kind idee fixe. There are no less than 31 reputations of it in the development, where it serves as a harmonic pivot for a very bold series of modulations. The slow movement exudes warmth and thoughtfulness, twinned with chromatic moments of doubt. Harmonically expansive answering phrases in the strings anticipate the sublime music of the divertimento for string trio K.563. The movement is also a perfect example of Mozart's skill in figuration and ornamentation. The musicians who performed that were Ralf Gothoni who played the piano, he's appearing frequently across Europe, Canada, Russia,and Japan, Swedish Ralf Gothoni is a multitalentedmusician citing roles as solo pianist, accompanying pianist, chamber music member etc. He has worked withlarge orchestras as well as acting as art director forthree years at the festival of Savonlinna. Moreover he teached up till 1997 at the Hamburg Academy and iscurrently employed at the Sibelian Academy and at HansHaisler of Berlin. He has won the Gilmor Prize, the Schubert Medal, an award of honor from Finland andalso is active as a pediatrician offering seminars ona global basis. , Mirijam Contzen who played the violin, 24-year old Mirijam Contzen started her musical at thetender age of two. From the age of seven she studiedunder Tibor Varga at the Music Academy of Detmolnt andfinished her studies at the anotati scholi of Music ofElvetia. She won the first prize at the InternationalTibor Varga Violin Contest in 1993 and has played withmany orchestras such as Hamburg's and SaintPetroupolis and Hungary's national symphonyorchestras. In 1996 she recorded the concerto forviolin by Mendelson and Bruch and in 1998 sonatas bySains-Sans, Debissi, and Frank under the Arte Nova andBMG labels respectively. Diemut Poppen who played the viola starting from the age of seven Diemut Poppenconcentrated only on the viola from seventeen yearsold and on. Her studies have taken her all acrossEurope and to the USA. She has appeared as a soloistin many important musical events and theatres acrossthe world. She was one of the founding members and for15 years a member of the European Chamber Orchestra.At the early age of 29 she became a teacher of theviola and chamber music at the academy of Zaarbrukenand from 1994 she teaches chamber music at theThourigian summer academy. For the past three yearsshe has been the art director at ?Days of ChamberMusic? of Onsabruk. She has also played in many radio,television and record productions.Frans Helmerson: violoncelloFrans Helmerson born in 1945 in Sweden started playingthe violoncello at the age of eight. He studied inGermany, Italy and England and since has done concertson all inhabited continents except Australia. Heappears in many roles- soloist

Skin Cancer Essays - RTT, Carcinoma, Anatomical Pathology

Skin Cancer Essays - RTT, Carcinoma, Anatomical Pathology "Skin Cancer" Gone are the days when people sent children outside to play to get a little color in their cheeks. They know too much about the dangers of unprotected sun exposure and the threat of skin cancer. Or do they? Despite the fact that 58% of parents remembered hearing about the importance of protecting their children from the sun, children are still playing in the sun without sunscreen or protective clothing (3., p 1). Sunburn is the most preventable risk factor of skin cancer. Skin type and family history cannot be changed. Protection from the sun and education of the potential hazards of the sun need serious attention. The American Cancer Society estimates that over 850,000 cases of skin cancer will occur in the United States during 1996. Of those cases, they predict that 9,430 will end in death (4., p 1). Apparently, Americans still do not have an adequate amount of prevention information to help reduce the disfigurement and mortality from this cancer. Exposure to the ultraviolet radiation from the sun is the most frequently blamed source of skin cancer. Due to the reduction of ozone in the earths atmosphere, UV radiation is higher today than it was several years ago. Ozone serves as a filter to screen out and reduce the UV light that reaches the earths surface and its people. Very simply, sunburn and UV light can damage the skin and lead to skin cancer (1., p 1). The American Cancer Society also faulted repeated exposure to x-rays, artificial forms of UV radiation like tanning beds, and contact with chemicals like coal tar and arsenic as other causes of skin cancer (4., p 1). Additionally, if there is a history of skin cancer in the family, an individual may be at a higher risk (1., p 1). Individuals who have experienced only one serious sunburn have increased their risk of skin cancer by as much as 50% (1., p 4). There are three main types of skin cancer: basal cell carcinoma, squamous cell carcinoma, and malignant melanoma. Basal cell carcinoma usually imposes itself on areas of the skin that have been exposed to the sun. It usually appears as a small raised bump with a smooth shiny surface. Another type resembles a scar that is firm to the touch. Although this specific type of skin cancer may spread to tissue directly surrounding the cancer area, it usually does not spread to other areas of the body (9., pp 2-3). Squamous cell carcinoma growths also appear most frequently on areas of the body that have been exposed to the sun. These areas can include the hands, lower lip, forehead, and the top of the nose. Additionally, skin that has been exposed to x-rays, chemicals, or has been sunburned can host these tumors. The squamous tumors may feel scaly or develop a crusty appearance. Some growths may bleed. These particular tumors may spread to lymph nodes in the surrounding area (9., pp 2 -3). Malignant melanoma is a far more serious type of skin cancer. It can spread quickly to other parts of the body through the lymph system or blood. This type of skin cancer is more common among adults. Findings have indicated that men most often develop melanoma on the trunk of the body. Whereas, women most often develop it on the arms and legs (6., pp 2-3). The warning signs of melanoma are: changes in the color, size, or shape of a mole, bleeding or oozing from a mole, or a mole that is hard, lumpy, swollen, and is tender to the touch, or feels itchy. A new mole can also be an indicator of melanoma. A simple "ABCD" rule outlines the warning signs of melanoma. "A" is for asymmetry. One half of the mole does not match the other. "B" is for border irregularity. The edges are ragged, notched, or blurred. "C" is for color. The pigmentation is not uniform. "D" is for a diameter of greater than 6mm. Any progressive increase in size should be of particular concern (8., p 1). For both basal and squamous cell carcinomas, surgery is the most common treatment. Electrosurgery is the process in which the cancer is scooped out with a sharp instrument and then an electric current is used to burn the edges around the site to kill